Albert Camus Essay Example for Free

Albert Camus Essay How Aschenbach and Meursault in Death in Venice and The Stranger respectively, are driven by mind initially then change to being driven by the heart as the result of a key event In both The Stranger and Death in Venice, the characters change as the book progresses. There is mainly one action that sparks this drastic change. In The Stranger, this action is the murder of Raymonds mistress brother, and in Death in Venice this critical moment occurs when Aschenbach has the sudden urge to travel. Aschenbach and Meursault are both characters that move from one extreme to the other. They begin as characters who make decisions based solely on what their mind tells them. As the novel develops, these characters move to the other extreme, which is making decisions based solely on what their heart tells them. This transition from extreme logical thinking to extreme emotional thinking is what leads to the downfall of both Aschenbach and Meursault. As the novel begins, Thomas Mann introduces Aschenbach as a fairly likable German writer. Initially the reader sees Aschenbach as a normal character anyone can relate to. He lives a very stable life, and has never traveled before. Aschenbach is a character who is extremely involved in his work and one who organizes his entire life based on how he can best achieve quality in his work. At this point in the novel Aschenbach makes all his decisions using his mind rather than his heart. While taking a stroll, Aschenbach sees a man with red hair as well as long teeth. It is this man that pushes his mind in to traveling. Aschenbach begins to change as soon as he sets his mind to travel. In his daydream regarding his adventure he envisions a landscape, a tropical swampy region under a vapor-laden sky, damp, luxuriant and uncanny; it was like the portrait of a primitive world of islands morasses and slit-laden rivers (pg 3, Mann). The symbol of Aschenbachs departure on this journey is the sign of the beginning of his decline. It is from this point on that Aschenbach transforms from being a normal man who makes logical decisions with is brain, to one that makes decisions with his heart. As Aschenbachs journey progresses, he notices many men with red hair and long white teeth like the one that inspired him to travel. This shows the constant rapid declining of Aschenbach. His first sight of Tadzio in the hotel marks the beginning of the extreme heart-driven Aschenbach. His description of Tadzio clearly portrays his obsession. With astonishment Aschenbach observed that the boy was perfectly beautiful. His face, pale and charmingly secretive with the honey-colored hair curling around it, with its straight-sloping nose, its lovely mouth and its expression of sweet and divine earnestness recalled Greek statues of the noblest period, and, along with its extremely pure perfection of form, it was of such unique personal charm that the onlooker thought he had never come across anything so felicitous either in nature or in art (pg 20, Mann). Once Aschenbach begins to follow Tadzios every step, the reader notices that Aschenbach is becoming more and more indulged in Tadzios life rather than his own. His head and his heart were drunk, and his steps followed the dictates of that dark god whose pleasure it is to trample mans reason and dignity underfoot. Even when Aschenbach learns of an epidemic, he realizes that if he dies along with Tadzio, they will be able to meet in heaven. Aschenbach loses total control of his mind and gives in to Venice, a city, half fairy tale and half tourist trap, in whose insalubrious air the arts once rankly and voluptuously blossomed, where composers have been inspired to lulling tones of somniferous eroticism. Even when given the opportunity to leave Venice and escape cholera, his love for Tadzio weighs him down. Aschenbach then has fantasies about everyone else dying, and him being left alone with Tadzio. Now it can be clearly seen that Aschenbachs passion is coming directly from the heart, and no thinking is being done on his part. This extreme obsession from Aschenbachs heart immediately leads to his downfall. He dies in his chair, and it is hours before anyone notices. Albert Camus introduces Meursault as a character people are quite taken aback by.

A Sistine Chapel of My Own :: Personal Narrative Religion Essays

A Sistine Chapel of My Own I was almost God, that day. I was away from the world, looking down upon it, or out at it, from a different place, a place not of it. The world looked peaceful, what I could see of it, lying there in the summer sun, but I saw it as one might see a distant galaxy through a telescope. A world was there, a complex world, perhaps a busy world, possibly even a world that could turn violent—but I was not of it. I was detached, beyond it, above it—an interested observer. The year was 1935, and I was eleven, a boy growing up on a South Dakota farm. This epiphany had an unpretentious setting—our outhouse, which was set back into some trees about a hundred feet northwest of the house. I was sitting there in the darkened interior when I noticed a nail hole through the door in front of my face. By putting my eye up close, I could squint through the hole and see outside. The scene itself was unremarkable—the nearby trees, our house, a large white structure with a hip roof, the garden, the hog yard and the road in the distance. But I was, strangely, not a part of it. It gave me a feeling of exhilaration—of awe. I was away, in some distant place. A higher place. I have tried to explain this experience to myself, but never with complete success. What I was looking at was something I saw every day, and something I could have seen better if I had just opened the door and stepped outside. The scene was as ordinary as anything could be, it would seem bleak to any modern viewer, just a typical summer day on an austere South Dakota farm in the Dust Bowl era. The feeling didn't even particularly relate to the scene itself; the view in another direction would have served as well, I think. But the nail hole was essential to the experience, as was the room, and being alone there. Being alone in that small, dark space allowed me to separate myself from the world. Perhaps no one knew I was there; perhaps no one even knew there was such a person as me; perhaps I really wasn't even a person of the ordinary world—my usual awareness of self seemed to diminish or disappear in there.

Describe the concept of Moral Relativism Essay

â€Å"You have no right to tell me what to do† and â€Å"What is true for you is not true for me† are great examples of how we do not always accept the real truth in life and these statements are both examples of relativism. There are four kinds of relativism: metaphysical, epistemological, religious and moral which I am going to talk about. Every choice we make is due to each person’s individual morality. Morality is concerned with the free choice of rational human beings, therefore Protagoras shows that there are no moral absolutes when he said â€Å"Man is the measure of all things† in addition moral relativism is the belief that morality does not relate to any absolute standards of right and wrong but good and bad are dependent on culture and circumstance meaning that moral relativism is deontological because it all depends on something being right and wrong. Having a morality may mean that different groups of people may play different versions of football, just like different countries have different legal systems, in addition having a certain moral could just be chosen by the mood that you are in at that certain time of day because moralities accepted at one time may fail to be accepted at another time. What is it for a group or an individual to have a particular morality? In some ways it is like having a particular language with a particular syntax (The arrangement of words and phrases to create well-formed sentences in a language) and also how we use certain vocabulary. Your morality explains something about the way you act and about the way you react to the actions of others. In my opinion moral relativism is very contradictive and a good example of this would be law enforcement within America because we and they say â€Å"murder is wrong† and their solution is to murder the murderer via execution. We say â€Å"theft is wrong† and then take taxes from people without consent. If someone doesn’t pay taxes and even resists then they will be judged as being morally wrong even though they are doing moral wrongness themselves. Moving on, normative ethics is the main concept of moral relativism because it is the examination of issues of right and wrong and how people justify the decision they make when faced with situations of moral choice an example of this would be the ten commandments because they are a set of rules to stop us from being miss lead in life. In addition a great example of this would be when morality is determined by situations, for example, lying is wrong. But lying to the Nazis where the Jews are is right. Since situations are relative and changing, then morality is relative and changing, however morality is not always determined by situations but conditioned by it for example murder is wrong, but one must murder someone for self-defence. So therefore this situation makes a deed right, Killing for self-defence makes killing not murder. Therefore killing for self-defence is not wrong. Another point people think is true is that good intentions is enough. It is not. Hitler had good intentions, but his actions were not. A good intention can make a deed good, but a good intention does not make a bad deed good.

Sustainable Education And Green Campus Design Creating A...

TOPIC: Sustainable Higher Education Development in Turkey through Participation-Empowerment of the Community and Green Campus Design Creating a Marketing Value for the Universities. Sub-topics: 1. Sustainable Architecture Definition 2. Sustainable Initiatives/Policies 3. Social Sustainability 4. Sustainable Architecture as Branding 6. Rethinking the Principles of Sustainable Higher Education 1. Sustainable Architecture Definition 1.1. Bruntland, Gro. Our common future: The world commission on environment and development. (1987). In this report, the World Commission on Environment addresses interdependence of nations and marriage of economy and ecology in sustainable development. It suggests social and gender equity, reduction of poverty, redistribution of wealth to be able to formulate basic strategies for environmental conservation in developing and developed countries. This book is the first manifesto and the starting point of many articles and books about sustainability. 1.2. Brown, Becky J., Mark E. Hanson, Diana M. Liverman, and Robert W. Merideth Jr. â€Å"Global Sustainability: Toward Definition.† Environmental Management 11, no. 6 (1987): 713–719. In the article the authors address that sustainability is a word becoming increasingly more popular each day. The definition of this word depends on the context and the discipline in which it is used as well as temporal and spatial scales. Furthermore it is possible to approach it in terms of triple bottom line;Show MoreRelatedStrategic Development and Swot Analysis at the University of Technology, Mauritius.5247 Words   |  21 PagesStrategic development and SWOT analysis at the University of Technology, Mauritius. 1.0 ABSTRACT SWOT analysis is an established method for assisting the formulation of strategy. An application to strategy formulation and its incorporation into the strategic development process at the University of Technology, Mauritius is described. 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